The Coolest Fonts You Can Use On Your Websites

Using the coolest fonts and paying attention to detail are factors you can easily adjust on your website, with no adverse impact on your site that could cost you time and resources.

It is the details that differentiate a professionally built website from one that looks amateurish. Using the coolest fonts and paying attention to detail are factors you can easily adjust on your website, with no adverse impact on your site that could cost you time and resources.

A premium website needs to have not only excellent images and colors, but also the fonts and typography need to be considered, both of which will appeal to your audience and assist you to build your brand.

For the vital role it plays in building brand perception, deciding your website’s font must be upmost in your design process. Yet, finding interesting fonts that engage your audience can be a chore. This article created by our team behind Slider Revolution will find the coolest fonts that will captivate the attention of the visitors to your site.

The Coolest Fonts to use to make your website interesting

LeverEdge

LeverEdge

LeverEdge uses GT Walsheim Pro and Cooper.

The typeface inspired by Otto Baumberger’s lettering is beneficial, including  supporting the Cyrillic languages. GT Walsheim Pro gets its inspiration from the 1930s Swiss designer’s style.

Cooper

Cooper is one of those mysterious typefaces. It originates from a complex riddle with hidden letterforms, whilst GT Walsheim is more precise.

GT Walsheim

Even though its letterform is secret, Cooper’s design will add to your collection of cool fonts.

Bruskowski

Bruskowski

Bruskowski uses Pangram and Tiempos.

The spread of Pangram’s font weight starts from Extralight to a strong Black, obtaining inspiration from some great geometric typefaces.

Pangram

The Tiempos Collection has built a hardworking reputation for itself. This editorial typography has over 2800 interesting fonts of meticulously imprinted crafted glyphs.

Tiempos

Bruskowski is one of those cool typefaces that will take your design to a different level.

Subvisual

Subvisual

Subvisual uses Colfax and Acta Display.

Colfax

Colfax has four workhorse weights, evolving from a refined oval sans serif. It also has two extreme display styles, and easily combines with several typefaces and can stand independently with no form of support required.

Acta

Acta Display first appeared in La Tercera – a Chilean newspaper in the year 2010. Coming from the fresh and clean Acta family, Subvisual is befitting for a newspaper setting.

Storyblocks template

Slider Revolution

This Storyblocks template uses Heebo.

Heebo

Heebo belongs to the Latin and Hebrew typeface family, and extends Roboto, Christian Robertson’s Latin to Hebrew. Meir Sadan mastered the font files of this cool font, while Oded Ezer attributed the Hebrew.

Reed

Reed

Reed uses Telegraf.

Telegraf

Telegraf is a combination of several grotesque forms with rigid angles. Its counter becomes more rectangular with an increase in weight. The large sizes provide added impact, while smaller sizes enable on-screen viewing.

A11.studio

A11 Studio

A11.studio uses Graphik.

Graphik

Graphik was released in 2009 and since then has become a classic, aiming to maximize communication flexibility. It has a rational grid consisting of nine weights inside eight different widths. .

Pixelismo

Pixelismo

Pixelismo uses Roboto Mono and Heebo.

Roboto mono

The vertical metrics of Heebo differ from the original Roboto family because of the Hebrew design of its primary font family. Rather than being hand-hinted like Roboto, the Pixelismo family is auto-hinted, resulting in Roboto’s improved rendering quality on old Windows machines.

Roboto Mono belongs to the monospaced Roboto family.

Bruno Cirilo

Bruno cirilo

Bruno Cirilo uses BrownStd and Noe

noe

The Noe Display has a serif display type consisting of strong contrast in fine details, including thicks and thins, vertical stress axis, as well as elegant curves that are all in rational mode.

Turbulent

turbulent

Turbulent uses Karla and GT Sectra.

Karla

Karla is a grotesque typeface belonging to the San Serif family, and offers support to all languages using Tamil and Latin scripts. The Latin script family consist of Italic and Roman styles in Bold and Regular weights.

GT Sectra

GT Sectra is a contemporary typeface of the Serif family and combines broad nib pen’s calligraphy with the sharp cutting edge of a scalpel.  

Cyber particle hero template

Slider Revolution

This cyber particle hero template uses Fugaz One.

Fugaz one

Fugaz One is a sans serif that leaves its formal beginnings as a result of its characteristics, with gestural characteristics and geometric features. Fugaz One combines with italic inclination to form a dynamically interesting font. 

Kelly Phan

Kelly Phan

Kelly Phan uses Anderson Grotesk

Anderson Grotesk

Anderson Grotesk is Stephen French’s creation; a Neo-Grotesk hand-rendered typeface.

Viral Positivity

Viral positivity

Viral Positivity uses Futura PT and Recoleta.

futura

Futura PT bases its san serif face on geometrical shapes, representing the aesthetic Bauhaus school that existed between the 1920s and 1930s. Futura PT uses several weights and widths and is now a popular choice for display and text setting.

recoleta

Recoleta is a composition of different recipes. Its compositions stem from several typefaces from the 1970s mixed in a single fresh, familiar design including the gentle and soft shapes found in Windsor’s angled strokes, the fluid, and Cooper.

Mélanie Hubert-Crozet

Melanie Hubert Crozet

Orpheus Pro belongs to Melanie Hubert-Crozet.

Orpheus

The Orpheus Pro is a simple, cool looking font, which started as Euphorion and Tiemann Orpheus’ straightforward revival. Orpheus gives a snazzy line and is appealing to the eyes.

Fernando Puente

Fernando Puento

Fernando Puento uses Ivi Journal.

IVY journal

Designed by Jan Maack, Ivi Journal is from Ivy Foundry.

Travel blog template

Slider revolution

This travel blog template uses Anton.

Anton

Anton is the reworking of the san serif typefaces of many traditional advertisements. Its letterforms underwent digitization and a reshaping to serve as a Webfont, with an opening of counters and stems optimization for bold display on new web browsers.

Jessica Hägg

Jessica Hagg

Jessica Hagg uses Sporting Grotesque and Ogg

Sporting Grotesque

Sporting Grotesque is an original creation of Lucas Le Bihan.

ogg

Ogg by Oscar Ogg captures the unique blend of typography and calligraphy from his era, when hand-carved brushes, pen nibs, and white-out, were popular.

Matt Downey

Matt Downey

Matt Downey uses Object Sans and Literata

Literata

Literata belongs to the contemporary family of serif made for long-form reading such as an ebook. Literata received its commission in 2014 by Google Play Books. It became widely available with variable font-weight in January 2019.

object sans

Object Sans combines the best Swiss geometric and neo-grotesk fonts. This contemporary family is a multifunctional workhorse, best for on-screen and printed contexts.

Lorenzo Girardi

Lorenzo Girardi

Lorenzo Girardi uses Apfel Grotezk and Sprat.

Apfel Grotezk

Apfel Grotezk font has a hybrid typeface, blending natural handwriting imperfections with the neatness of uniformly weighted san-serifs.

sprat

The powerful Sprat font family makes strong statements as well as powerful logos. The conventional serifs are also useful. It has four weights such as bold, semi bold, medium, and regular.

Landing page template

Slider revolution

This landing page template uses Lora.

lora

Lora is a contemporary serif with calligraphy roots, with moderate contrast that suits body text well.

Steph Jeong

Steph Jeong

Steph Jeong uses Self Modern and Telegraf

self modern

Self Modern starts with the cool typefaces of the Japanese serif, Mincho, which began in a 2015 Japanese magazine, and has since grown in its appeal.

Telegraf combines mid-century grotesk forms with rigid angles. The counters of Telegraf become increasingly rectangular with an increase in weight, aids small sizes on-screen viewing, and increases impact in large sizes.

Jesse Zoutewelle

Jesse Zoutewelle

Jesse Zoutewelle uses Fuji and Giselle.

fuji sans

Fuji Sans is  a bold typeface of sans-serif, slightly condensed to fit perfectly with brands and bold designs.

The Giselle font

The Giselle font is an excellent font for music, design, film, and logo. It is also great for TV, publishing (books, magazines), games, corporate identity, and cinema.

Gardenberg

Gardenberg

Gardenberg uses Gothic A1 and Arial.

arial

In the past 30 years, one of the most commonly used typefaces is Arial®. It was the creation of Patricia Saunders and Robin Nicholas in 1982 for an early IBM printer, perfect for textual content.

Gothic A1

The Korean and Latin Gothic A1 sans-serif font is versatile with multiple weights and optimized spatial distribution.

Art Gallery Slider

Slider revolution

This art gallery slider uses Poppins.

poppins

Poppins is a from the long tradition of Geometric sans serif that also supports the Latin and Devanagari writing systems.

Thomas Bosc

thomas bosc

Thomas Bosc uses Elgoc Alt and Beatrice.

elgoc alt

Beatrice was designed in Ti Morawa, an Indonesian sub-urban village found in North Sumatra and is new to the typeface family. This family explores contrasting methodologies,  merging several canon expansionist systems, including sans serif Grotesk’s contrast behavior and inverted contrasts.

Rachel Yhe

Rachelyhe

Rachel Yhe uses Karla and Tiempos.

tiempos text

The grotesque Karla supports languages using Tamil and Latin scripts. The Latin script has bold and regular weights with Italic and Roman styles.

The Tiempos collection belongs to the modern serif family, with over 2800 crafted glyphs for editorial typography.

Mackenzie Child

Mackenzie child

Mackenzie Child uses Sofia Pro.

sofia pro

Olivier Gourvat is the Sofia Pro designer under Mostardesign. Sofia Pro has 16 different cool fonts and options for the family package.

Gweno

gweno

Gweno uses Oaks and Vulf Sans

oaks

Oaks displays a really cool typeface with a straightforward attitude and character, inspired by the signwriting structure used in the latter part of the 1800s.

Vulf Sans has 5 weights in Roman and Italics.

Construction company template

slider revolution

This construction company template uses Zilla Slab.

zilla slab

Zilla Slab is a Mozilla typeface used for wordmark and headlines, featured throughout their designs. The text has a sophisticated industrial look, constructed with true italics and smooth curves.

Quentin Hocde

Quentin Hocde

Quentin Hocde uses Neue Machina.

Neue Machina

The Neue Machina is meticulously crafted with a powerful typeface,boasting  monospace and deep ink traps in heavier weights.

Sanne Wiibenga

Sanne wijbenga

Sanne Wiibenga uses Moderat.

moderat

Moderat combines some edgy accents and geometric shapes to produce a really cool sans serif typeface.

Julie Muckensturm

Julie Muckensturm

Julie Muckensturm uses Banana Grotesk.

Banana grotesk

Published in 2018, Banana Grotesk is a really good font of sans-serif typeface.

Start Agency template

slider revolution

The Start Agency template uses Work Sans.

work sans

The Work Sans typeface family has some roots in early Grotesques. The regular weights optimize on-screen text at medium-sizes and are really useful in print design.

Henrik and Sofia

Henrik and Sofia

Hendrik and Sofia uses Reckless and Neue Haas Grotesk.

reckless

This is a design of Max Miedinger and Christian Schwartz. Neue Haas Grotesk contains 22 styles and several family package options.

The serif text family font of Reckless has a renaissance look.

Matt Dayton

Matt Dayton

Matt Dayton uses Inter.

inter

The variable Inter font belongs to a carefully crafted font family aimed for computer screens,  featuring a tall x-height that aids readability.

Niccolo Miranda

Niccolo Miranda

Niccolo Miranda uses Saol.

saol

Saol gives modern conveniences such as, broad language support, several weight ranges, and opulent italic caps.

This is Grey

This is grey

 This is Grey uses Space Mono.

space mono

The Space Mono is Colophon Foundry’s design for Google. Its fixed-width type of family enables English and Western European typesetting.

Jesper Dahlqvist

Jesper Dahlqvist

Jesper Dahlgvist uses Basis Grotesque.

Basis Grotesque.

Basis Grotesque from Colophon Foundry features four monospaced weights as well as five weights in regular and italic.

Victor Work

Victor Work

Victor Work uses both Athene and Mabry

athene

The serif typeface Athene comes with a modern geometric touch. It looks best as a Display. This free serif is an amazing custom font by Matt Ellis.

mabry

Mabry presents various characteristics: rigorous and gestural, historic, and contemporary, as well as coarse and refined, subjective, and objective. It is also a Multan royal contemporary, precise and cultivated.

Vic Bell

vic bell

Vic Bell uses Urbane Rounded.

Urbane Rounded.

Urbane Rounded is an uncomplicated version of Urbane, only with curves. It is an all-purpose versatile member of the sans serif family consisting of italics and six weights.

Davide Baratta

Davide Baratta

Davede Baratta makes use of GT Cinetype.

GT Cinetype

GT Cinetypeis based on the design used for a subtitling cinema machine. It works using a laser to remove the film’s color layer, so only very small sharp white letters appear. It is an extremely interesting font.

Jonnie Hallman

Jonnie Hallman

The Jonnie Hallman typeface uses Segoe UI.

segoe

The Segoe typeface or font family is famously used by Microsoft.

Andrei Robu

Andrei Robu

Andrei Robu has Chivo.

chivo

Chivo (Goat) is a sans serif typeface family with a modern Omnibus-Type grotesque nature. Chivo Black’s bold outlook makes it one of the coolest fonts for headlines and highlights.

Martin Laxenaire

Martin Laxenaire

The Martin Laxenaire uses Nunito Sans.

nunito sans

Nunito is a sans serif typeface with great balance. Vernon Adams is responsible for the production of this round terminal typeface, which also supports Display typography.

Robin Rotman

Robin Rotman

Robin Rotman uses Europa.

europa

This geometric sans-serif typeface is made by the Swiss designer Fabian Leuenberger. Europa sold in 2011 through Europa type. Its unusual design is due to its geometric and humanist influences.

Javier

javier

Javier uses Helvetica

helvetica

Helvetica is yet another neo-grotesque typeface. Akzidenz-Grotesque and other Swiss and German designs inspired the production of Helvetica. These two were famous designs from the 19th century, and its modern counterpart is great for websites.

Melanie Da Veid

Melanie Da Veid

Melanie Da Veid uses Proxima Nova.

proxima nova

Proxima Nova closes the gap between typefaces including Akzidenz Grotesque and Futura, combining geometric looks and modern proportions.

Donica Ida

donica ida

Donica Ida uses Copernicus.

copernicus

Copernicus is a provisory serif typeface. It was initially designed in 2009 and influenced by Monotype Plantin’s metal versions, and now rebranded  for the twenty-first century.

White Elephant

White elephant

White Elephant uses Mark Pro and Windsor BT.

FF mark pro regular

The producers of the Mark Pro San font are the German designers Christoph Koeberlin, Hannes Von Döhren, and the Font Type Department.

Windsor BT is a font from the Windsor family influenced by Roman weight and style.

Zef

zef

Zef utilizes Lausanne.

lausanne

Lausanne is an elegant sans-serif font with an aesthetic feel. It has small but legible sizes and several details in large sizes.

Jess+ Design

jess + design

Jess+ Design uses Quattrocento Sans.

Quattrocento Sans

Quattrocento Sans is a refined, cool, and classic typeface family. Its open letter form makes it legible in small text bodies. It is readable without being intrusive. This typeface is the most suitable sans-serif partner for Quattrocento.

Marco

marco

Marco makes use of the Calibre and Dr. Raymond’s fonts.

Dr. Raymond is perfect for titles and headers requiring sharp edges and prominent serifs, with outstanding and strong outlines. This typeface best works at large scale. Its prominent nature is slightly different from its Marco counterpart, Calibre.

calibre

Calibre’s typeface, unlike other signage lettering, is clear and graceful. Letterings on the street signs of West Berlin inspired the creation of the neo-grotesque sans serif Calibre.

Snow Particle Scene Hero Template

slider revolution

This hero template uses Lilita One.

lilita one

The display typeface, Lilita One, is best for short texts and headline, due to its fat appearance. Yet, it gives a soft look and personal feel wherever it’s used, due to its new captivating details and a slightly compact structure.

Union Haus

union haus

The Union Haus typography uses Archivo Black.

archivo black

 Archivo Black will work either on digital platforms or prints, available for high topography performance.

Nidia Dias

nidia dias

This font has both Roboto and Playfair Display at play.

playfair display

Playfair is a provisory design. Being a Display, its font size is large, and is therefore compatible with Georgia for the text body in both style and function.

roboto

Roboto is a dual-natured typeface. Its structure is mechanical and the letterform is highly geometric, however the features of the font have open curves.

Gilabert Design

gilabert design

Gilabert Design uses Apercu Regular Pro and Feijoa Display.

apercu

Apercu seeks to blend the realist classics, Franklin Gothic, Gill Sans, Neuzeit, and Johnston. Its form portrays the synopsis of its origin.

feijo design

The principle of a straight line being a deadline inspires Feijoa’s design, thus the typography features letterforms with warm curves. The individual letters have their distinct forms but together they form a unique design.

Julia Zass

Julia zass

Julia Zass uses Lava.

lava

Lava was originally used for magazines, and so brings strength and versatility to the fore. This typeface is one of the coolest fonts because it can maintain its style amidst chunks of text. There is no reason to fear that your relatively lengthy text will scare visitors away. Lava takes care of this with ease.

Hicks

hicks

Hicks uses TT Norms Pro.

TT norms pro

The main version of TT Norms Pro is neutral and subtle, and when using the stylistic alternates the outlook is more humanistic. This typeface comes with several variations and styles, including two variable fonts, with ligatures and stylistic alternates, small capitals and broad support of OpenType. The font has eleven weights matched with their eleven corresponding italics.

Bobby Giangeruso

Bobby Giangeruso

Bobby Giangeruso uses GT America.

This font builds a bridge between the European Grotesque and American Gothic typeface genres, in a seamless blend. The interesting font combines the design features of both traditional styles, thus uniting them with a contemporary finish.

Ending thoughts on the coolest fonts you can use on your website

There are numerous popular fonts available so there’s no need to to choose the defaults. Well-chosen styles and fonts will never overshadow the content of your text. However, your fonts can either hold your reader’s interests or dampen it. Fonts can convey messages to your viewers of creativity, stability, sophistication, or elegance, depending on the brand identity you wish to build. You have plenty of options, such as those highlighted in this article, so you are sure to find one that suits your style.

If you enjoyed reading this article about coolest fonts, you should read these as well:

The Coolest Fonts You Can Use On Your Websites

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SR Staff

We're a passionate bunch of designers and developers writing about the ins and outs of web design.

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